Earthtones marks Bahamas fourth studio album. The album has tunes where one can bop their head or tap their toes to, but nothing too hard where they’ll be out of their seats dancing unless of course they prefer this type of music to jam to.
The album takes on a new form of indie, providing listeners with fresh r&b and soul with tracks like “So Free” and “Any Place” but it is tracks like “Alone” and “Everything to Everyone” that caught my attention with the heavy beats. “Alone” starts off very slow, but gives a taste of pleasantry with the background vocals provided by the band’s backup singer Felicity Williams. It moved me through the song, and I appreciated how the song ended with a heavy set of dreams. It set a tone for the rest of the album where drums would be essential in carrying out the tunes. Overall, the guitars in the album stand out for me, as they do in every album, because they help complement the R&B and Soul style that band has going on. Even though I wasn’t alive in the 70’s, the guitars create a sense of the groovy era.
Compared to their 2014 album Bahamas is Afie, which had a folk-style to it, displays the versatility of Bahama’s, enabling them to be inspired by any music and correctly projecting it to an audience. The soft vocals in Earthtones makes the album essential for days spent in coffee shops or even for fun elevator music. I personally do not enjoy music like this, but my ears were satisfied with what they heard.